{"id":408,"date":"2018-11-13T13:41:17","date_gmt":"2018-11-13T13:41:17","guid":{"rendered":"http:\/\/www.pasquaphilippe.com\/?page_id=408"},"modified":"2020-09-14T15:56:23","modified_gmt":"2020-09-14T15:56:23","slug":"monographies-et-catalogues","status":"publish","type":"page","link":"https:\/\/www.pasquaphilippe.com\/en\/medias\/monographies-et-catalogues\/","title":{"rendered":"MONOGRAPHS AND CATALOGUES"},"content":{"rendered":"

[vc_row][vc_column width=”1\/4″][vc_single_image image=”945″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1600098898940{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1600098867923{margin-bottom: 5px !important;}”]<\/p>\n

“ORSO”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1600098853150{margin-bottom: 5px !important;}”]<\/p>\n

\u00d3leo sobre lienzo 280 x 230 cm<\/span><\/p>\n

[\/vc_column_text][vc_empty_space height=”28″][vc_column_text css=”.vc_custom_1600098839159{margin-bottom: 5px !important;}”]<\/p>\n

2020<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”910″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1600098890494{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1600098877498{margin-bottom: 5px !important;}”]<\/p>\n

“AUTOPORTRAIT”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1600098859193{margin-bottom: 5px !important;}”]<\/p>\n

\u00d3leo sobre lienzo<\/span><\/p>\n

[\/vc_column_text][vc_empty_space height=”28″][vc_column_text css=”.vc_custom_1600098839159{margin-bottom: 5px !important;}”]<\/p>\n

2020<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”442″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542134961848{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641655130{margin-bottom: 5px !important;}”]<\/p>\n

“MONUMENTAL”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641664197{margin-bottom: 5px !important;}”]<\/p>\n

Henry-Fran\u00e7ois Debailleux, Philippe Pasqua, Paris, Albin Michel<\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641670071{margin-bottom: 5px !important;}”]<\/p>\n

2017<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”443″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542134965947{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542989339121{margin-bottom: 5px !important;}”]<\/p>\n

“BORDERLINE”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641691953{margin-bottom: 5px !important;}”]<\/p>\n

Florence Guionneau-Joie et al., Philippe Pasqua, Paris, Beaux Arts \u00c9ditions
\n<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641683997{margin-bottom: 5px !important;}”]<\/p>\n

2017<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator el_width=”70″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”444″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135053596{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641698889{margin-bottom: 5px !important;}”]<\/p>\n

“AUTOPORTRAIT”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641706833{margin-bottom: 5px !important;}”]<\/p>\n

Cyrille\u00a0Mald\u00a0(pr\u00e9f.\u00a0Fr\u00e9d\u00e9ric Mitterrand),\u00a0Philippe Pasqua<\/em>, Paris, \u00c9ditions S\u00e9guier<\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641712447{margin-bottom: 5px !important;}”]<\/p>\n

2014<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”441″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135223147{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641718479{margin-bottom: 5px !important;}”]<\/p>\n

“SAINT-LOUIS”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641724991{margin-bottom: 5px !important;}”]<\/p>\n

Philippe Pasqua<\/em>, Saint-Louis, \u00c9ditions de Saint-Louis, Fondation Fernet-Branca<\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641730603{margin-bottom: 5px !important;}”]<\/p>\n

2012<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”439″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135089608{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641927702{margin-bottom: 5px !important;}”]<\/p>\n

“MONOGRAPHIE”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641935136{margin-bottom: 5px !important;}”]<\/p>\n

Philippe Pasqua, <\/em>Jos\u00e9 Alvarez, Paris, \u00c9ditions du Regard<\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641940740{margin-bottom: 5px !important;}”]<\/p>\n

2012<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”541″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542393028863{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641908320{margin-bottom: 5px !important;}”]<\/p>\n

“WORK IN PROGRESS”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641915719{margin-bottom: 5px !important;}”]<\/p>\n

Philippe Pasqua, Saint-Ouen l’Aum\u00f4ne<\/span><\/p>\n

[\/vc_column_text][vc_empty_space height=”28″][vc_column_text css=”.vc_custom_1542641922109{margin-bottom: 5px !important;}”]<\/p>\n

2012<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator el_width=”70″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”446″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135231346{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641890228{margin-bottom: 5px !important;}”]<\/p>\n

“DRAWING OR SCULPTURES”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641896494{margin-bottom: 5px !important;}”]<\/p>\n

Jean Corbu, Philippe Pasqua, Paris, Galerie Laurent Strouk<\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641902850{margin-bottom: 5px !important;}”]<\/p>\n

2011<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”447″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135235429{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641864927{margin-bottom: 5px !important;}”]<\/p>\n

“PALIMPSESTES”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641875468{margin-bottom: 5px !important;}”]<\/p>\n

David Rosenberg, Philippe Pasqua,\u00a0<\/span><\/p>\n

[\/vc_column_text][vc_empty_space height=”28″][vc_column_text css=”.vc_custom_1542641885100{margin-bottom: 5px !important;}”]<\/p>\n

2010<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”445″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135239502{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641954034{margin-bottom: 5px !important;}”]<\/p>\n

“PARADISE”<\/span><\/strong><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641960233{margin-bottom: 5px !important;}”]<\/p>\n

David Rosenberg, Philippe Pasqua, Paris, \u00c9dition Skira<\/span><\/p>\n

[\/vc_column_text][vc_empty_space height=”28″][vc_column_text css=”.vc_custom_1542642003490{margin-bottom: 5px !important;}”]<\/p>\n

2010<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”449″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135430959{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641979932{margin-bottom: 5px !important;}”]<\/p>\n

“STIFTUNG KESTNER PRO ARTE”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641969167{margin-bottom: 5px !important;}”]<\/p>\n

Ulrich Krempel, Philippe Pasqua, Hanovre<\/span><\/p>\n

[\/vc_column_text][vc_empty_space height=”28″][vc_column_text css=”.vc_custom_1542641974397{margin-bottom: 5px !important;}”]<\/p>\n

2009<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator el_width=”70″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”450″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135458483{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542641984680{margin-bottom: 5px !important;}”]<\/p>\n

“PULSION”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641993286{margin-bottom: 5px !important;}”]<\/p>\n

Henri-Fran\u00e7ois Debailleux, Philippe Pasqua, Paris, Galerie RX et Galerie Enrico Navarra<\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542641998843{margin-bottom: 5px !important;}”]<\/p>\n

2007<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”451″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135473462{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542642008676{margin-bottom: 5px !important;}”]<\/p>\n

“SANTA MONICA (CALIFORNIE)”<\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1542642023278{margin-bottom: 5px !important;}”]<\/p>\n

Judd Tully, Philippe Pasqua, Galerie Patrick Painter<\/span><\/p>\n

[\/vc_column_text][vc_empty_space height=”28″][vc_column_text css=”.vc_custom_1542642013895{margin-bottom: 5px !important;}”]<\/p>\n

2006<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”946″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1600098910258{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1600098493915{margin-bottom: 5px !important;}”]<\/p>\n

“ARNAUD 3 \u00bb<\/strong><\/span><\/p>\n

\u00d3leo sobre lienzo 200 x 160 cm<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

2006<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”448″ img_size=”139×192″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1542135490230{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1542133538268{margin-bottom: 5px !important;}”]<\/p>\n

“LA DIFF\u00c9RENCE \u00ab MAINS ET MERVEILLES \u00bb<\/strong><\/span><\/p>\n

Michel Walberg, Philippe Pasqua, Paris<\/span><\/p>\n

2005<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator el_width=”70″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1542133580807{margin-bottom: 5px !important;}”]<\/p>\n

“DE LA CHAIR”<\/strong><\/span><\/p>\n

Kerstin Hengevoss-D\u00fcrkop, Beaux Arts Magazine, no sp\u00e9cial<\/span><\/p>\n

2004<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1542133608731{margin-bottom: 5px !important;}”]<\/p>\n

“PASQUA, OU L’OEIL DE PROFANE”<\/span><\/strong><\/p>\n

David Simard et Michel Schouman, Beaux Arts Magazine, no sp\u00e9cial,
\n<\/span><\/p>\n

2004<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1542133660326{margin-bottom: 5px !important;}”]<\/p>\n

“LA BEAUT\u00c9, SIMPLEMENT”<\/strong><\/span><\/p>\n

Cynthia Fleury, Beaux Arts Magazine, no sp\u00e9cial<\/span><\/p>\n

2004<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1542640200825{margin-bottom: 5px !important;}”]<\/p>\n

“DE L’EFFICACIT\u00c9 DANS LA PEINTURE”<\/strong><\/span><\/p>\n

Juli\u00e1n Zugazagoitia, Beaux Arts Magazine, no sp\u00e9cial<\/span><\/p>\n

2004<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator el_width=”70″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1542133740119{margin-bottom: 5px !important;}”]<\/p>\n

“UNE LE\u00c7ON DE LIBERT\u00c9 DANS LA PEINTURE”<\/strong><\/span><\/p>\n

Pierre Restany, Beaux Arts Magazine, no sp\u00e9cial,<\/span><\/p>\n

2004<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1542640192244{margin-bottom: 5px !important;}”]<\/p>\n

“PHILIPPE PASQUA, PARADIS BLANC<\/span>“<\/span><\/strong><\/p>\n

Emmanuel Dayd\u00e9 et Michel Schouman, Paris, Galerie RX
\n<\/span><\/p>\n

2002<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1542133822480{margin-bottom: 5px !important;}”]<\/p>\n

“PHILIPPE PASQUA : LES MIROIRS DANS L’\u00c2ME”<\/strong><\/span><\/p>\n

Emmanuel Dayd\u00e9 et Cynthia Fleury, F\u00e9camp, Benedictine Sa<\/span><\/p>\n

2002<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”947″ img_size=”full” alignment=”center” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1600098227100{margin-bottom: 20px !important;}”][vc_column_text css=”.vc_custom_1600098201108{margin-bottom: 5px !important;}”]<\/p>\n

\u201cNU\u201d<\/strong><\/p>\n

 <\/p>\n

\u00d3leo sobre lienzo<\/span><\/p>\n

 <\/p>\n

2002<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator el_width=”70″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1542384888099{margin-bottom: 5px !important;}”]<\/p>\n

“CATALOGUE D’EXPOSITION”<\/strong><\/span><\/p>\n

 <\/p>\n

Trauma Hambourg<\/span><\/p>\n

 <\/p>\n

2001<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1542640260597{margin-bottom: 5px !important;}”]<\/p>\n

“GALERIE LUCIEN DURAND-LE GAILLARD”<\/strong><\/span><\/p>\n

Pierre Restany et Jean-Michel Ribettes, Philippe Pasqua, Paris, SAGA – Stephen Lacy<\/span><\/p>\n

1999<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_btn title=”RETURN TO MEDIA” style=”custom” custom_background=”#000000″ custom_text=”#ffffff” shape=”square” align=”center” link=”url:http%3A%2F%2Fpasquaphilippe.com%2Fmedias%2F|||”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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